It’s a graceful yet serene search for into the lives of girls who are cyborg assassins. The interactions between them in their every day lives and the relationships they have with their brothers/trainers. It’s very different.
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Art style: realistic, mediate Ghost in the Shell. no oversized or exaggerated expressions/body parts. A lot of attention to details (except in like the first scene there is a moment where you go “nah . . .”) .
Setting: recent, site in Italy.
Violence level: high. Shows children shooting guns and killing people. The violent scenes do not play an integral fraction of the epic. Has blood.
Theme: what is it to be normal?
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Pros: Realistic themes with a deep exploration of the character’s emotions, motivations and reactions. How well would you survive being a tiny girl “forced” to shoot guns and raze people? Could you be normal?
Cons: Action wise, suspense wise, position twisting wise, mysterious quiz answering wise . . . it fails to thunder. It is subdued and level-headed, a sort of “tranquil” anime without a expansive hook or a graceful finale. It leaves you with many questions. This anime impartial “IS,” Ivan Denisovich style even.
Yeah, so girls with guns. The assist read something about them being cyborgs from a secret agency. Ok, so then a cliched set entered my mind: they are generally restful, innocent looking girls that can kick some major butt, and then there’ll be a expansive conspiracy with their agency and they ruin up having to fight to explore the truth and to execute it out alive.
Boy, that was Cross! (in a generous intention) And that doesn’t give away the region. Why? Because there really isn’t a region. There is no main enemy, no great conspiracy, no destroy just in the entire three disks. There is NO unifying force that the girls are united against . . . tagible force that is.
The series is about these girls who were terminal patients or victims. They were restored succor to life through bioengineering, cybernetics and a lot of weapons training . . . and they were made into assassins. However, the series does not focus on their missions, the action or the combat. In fact, such scenes are kinda there because they have to be. Rather, the drive of the series is the interaction between the girls and between the girl and their handler, or “brother.” Each handler is different with his girl, treating her differently, conditioning them differently. It’s this relationship between the young girl and her handler that makes the series fade. Each episode is a puny more about the girl and how she and her handler interact.
[Disk 1]
The first DVD introduces the main characters in 5 episodes (though it does not introduce Angelica to a grand range, objective mentions her name) . The first two episodes are hard to follow as they jump assist and forth between scenes happening at different times, or the same scene again from another light or the same scene from another character’s perspective. It basically introduces Henrietta, Rico, Triela and Claes, in that order. I ended the first DVD feeling very generous about it, having the protagonists’ introductions out of the plot, and feeling as if the action was about to buy up a lot.
[Disk 2]
The second DVD did not do that . . . but neither did it disappoint. It is further development about the girls and their handlers. It has a minute more action, but not by a sizable deal. We salvage introduced to the last two characters and their handlers: Angelica and Marco, Elsa and Lauro. The first half of the DVD deals with RF bombers in which the main three fratello are fervent. Next is a sight at Rico. The last two episodes deal with the last two girls introduced, and the stark differences between the fratello of Elsa and Lauro and of Henrietta and Jose.
[Disk 3]
It’s not a complicated DVD to recognize because it doesn’t really DO anything spectacular, though it starts off with a surprise. The first two episodes focus on Henrietta and Jose as they are on “vacation” after an incident. The latter two episdoes have a focus partly on Angelica. The last episode is about all the girls. In the destroy of the DVD it fair finally develops the girls. It would not be a spoiler to say that the ending is rather subdued. The ending is not one of sizable climax or astonishing revelation; it unbiased simply is, realistically and tenderly. It doesn’t acknowledge many of the questions you might have. In fact it leaves you sort of wanting and wishing that there were more. For some, it could easily leave you feeling like you’ve wasted your money.
[Over all]
Basically . . . it’s 13 episodes of getting to know these girls. Yes, they are cyborg assassins working for a secret government agency in Italy, but the focus is not on the action, not on the missions or the secrecy or the conspiracies or the shadow of their pasts coming succor to haunt them. It is about their exhibit lives, how they are handling it, how precise they actually are and what kind of lives they live. It really is sharp, though i’d honestly have to say that it could really be tedious. I’m very fervent in stories and character interactions. The idea of the anime is about the girls’ relationships with each other and their handlers, not about their action sequences. Therefore, it can easily leave someone with many questions, a sense of disatisfaction or worse. As well, it has a smaller amount of dialogue than most other anime. The moments of silence reminded me of that sad moment in Evangelion in the elevator. Though there are action sequences, they seem to only be there to reinforce something about the relationships between the girls and their handlers.
Finally, I liked the anime. I conception it was very different from what I originally percieved it to be, and so it was a nice surprise later on as I got to understand what it was about. I worship the characters and could sympathize with them. It is definitely not an action anime and I can’t really believe of any other anime to compare it to. Perhaps best compared to Now and Then, Here and There.
I would recommend this to people who like characters, because that’s honestly what it’s all about. It is very subdued, realistic and without fair about any place twists. If you’re a fan of great action or comedy, like most other anime out there, and not inaugurate to watching Ghost in the Shell without the action sequences, then I would not recommend this. I would not recommend it to children. It’s rather conventional in its topics, not to the point of sexually veteran or violently customary, unprejudiced that the concepts and ideas are complex, requiring the ability to characterize to the characters somewhat and understand their individual situations. This is not going to be your typical anime. It’s calm for the most fragment and it’s collected for the most fragment.
What this anime really needs is a better title.
“[I hated them at first, half carbon and fiber optics. But when you find to know them they're objective normal limited girls, running the gambit of emotions, seeking approval, unsure of their adolescent feelings . . . and can't cook worth a darn.]”
It’s been pointed out already that Gunslinger Girl is a highly atypical anime. This isn’t only because of its overall tone (a number of incandescent, pleased, high-energy titles like Care For Hina, Fruits Basket and Mahoromatic tend to overshadow more serious work) or its visual and fable style (whereas many titles earn utilize of animation to manufacture exaggerated poses, expressions and action sequences, Gunslinger Girl could be filmed live with miniature alteration) but because it is, purely and simply, a work of art–it has a coherency of style, theme and purpose that very few other titlesa can match. With no petite to series that are, first and foremost, consuming (like the aforemnentioned Like Hina), Gunslinger Girl attempts to do something mighty more difficult than entertain, and succeeds.
If that sounds obtuse: GG has more in popular with most enormous films and novels than with other anime series. Even those that are dramatic and violent generally rely on visceral thrills, and the few, like Neon Gensis Evangelion and Serial Experiment Lain, that seem to have a “higher” artistic purpose, often drop short in the final reckoning (does anybody really understand these two titles? ) .
Visually, GG is extremely simple. The majority of the characters are either built on the model of a figure-less prepubescent girl or a middle-aged man in a suit, and except for the sequences of violence (which, it should be noticed, are rarer than it might at first seem) many shots are smooth of characters standing around and talking in lifeless uninflected voices. (Side note: There is some hysterical audio commentary on these discs. On one of them, one of the insist actors playing a handler says to another: “Yo, I mediate we should talk like this in valid life. [gruff, flat] “Hey, I believe we should go out for a pizza. How does that sound? “”Roger, copy that.”) The animation is level-headed of a very high quality in the action sequences, but the attention is drawn away from the visuals and to the record.
Hopefully there’s no need to restate the series’ presence. What should be stated, though, is that the series is not about violence, or social problems, but overwhelmingly about esteem. The basic dread or the premise–that microscopic girls are brainwashed and forced to commit political murders–is almost taken for granted by the final episode; the blueprint that people treat each other and their affections are of noteworthy greater importance, and ultimately far more horrifying. Violence is a visceral expression of wounded human emotions, and it’s no accident that the series is soundtracked by the sublimely depressing “Despise” (The Delgados) –songs about longing and loneliness, but on examination, perfectly worthy to this world.
All this is impartial to say that Gunslinger Girl should be taken for what it is: a singular work with a specific style and a dogmatic theme. It has very minute in the diagram of entertainment (although there are a few droll moments), sexiness, violent kicks or uplifting morals about how, if you possess in yourself, you can accept into Tokyo U. It may not be to everyone’s taste, but I would highly recommend it both to anime fans and also to those who might never search for another anime title, but want to scrutinize something of chilling, heartbreaking emotional power.
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